- Willa Lentza
- 07-10-2023, Saturday, at 7:00 pm - Ticketed event
Works by French composers and poets will be presented at the Lentz Villa on 7th October 2023 at 7 p.m. by Adele Lorenzi (soprano) and Justine Eckhaut (piano).
Events | Concert
Villa France. Impressions
Works by French composers and poets will be presented at the Lentz Villa on 7th October 2023 at 7 p.m. by Adele Lorenzi (soprano) and Justine Eckhaut (piano).
Singer Adele Lorenzi obtained her DNSPM (bachelor’s degree) from the Conservatoire national supérieur de musique et de danse in Lyon. She also studied at Berlin’s Universität der Künste (master’s degree) and took part in the Génération France Musique programme. She has appeared with, among others, the Liège Opera Orchestra, Appassionato, Le Concert de l’Hostel Dieu, and Cristofori Ensemble. On the operatic stage she has performed the roles of Mimi (Opéra royal de Wallonie in Liège), Iolanta (Opernhaus Kiel), Blanche de la Force (Lyon CNSMD), Flaminio (Théâtre National Populaire de Lyon), and Tomiri, Great Priestess of Diana (Abbaye de Fontevraud). She has received applause at the Early Music Festival in Sankt Gallen (Switzerland), Les étoiles de Fontevraud (France), Un temps pour Elles (France), as well as during recitals at the Salle Molière of Opéra Comédie Montpellier and at the Petit Palais in Paris.
French pianist Justine Eckhaut, the artistic director of the innovative Berlied festival in Berlin, has appeared, among others, at the Opéra National de Lyon, Berlin’s Staatsoper Unter den Linden and Konzerthaus, during the Bregenzer Festspielen and at Bern’s Konzert Theater. In 2021 the Swiss label Prospero recorded Eckhaut’s album with lyrical soprano Marie-Pierre Roy, titled Le long du quai, which comprises French-language songs composed to the poetry of the world’s first literary Nobel prize winner Sully Prudhomme. Eckhaut has taken part in such events as the Heidelberger Frühling Lied Academy, Schubert-Woche at Berlin’s Pierre Boulezsaal (artistic director – Thomas Hampson), and others. Her work is supported by Eric Schneider, Hartmut Höll, Helmut Deutsch, Sarah Tysman, and Axel Bauni. Moreover, she regularly collaborates with Austrian bass-baritone Philipp Mayer, Latvian mezzo-soprano Vizma Zvaigzne, and German soprano Amanda Becker.
Since April 2019, Eckhaut has been an accompanist at singing lessons at the Universität der Künste Berlin. She is also a pianist and répétiteur to the Kinderchor Staatsoper Berlin (cond. Vinzenz Weissenburger) and to the Berliner Mädchenchor (cond. Sabine Wüsthoff).
Concert host:
Prof. Katarzyna Dondalska
Highly recommended.
Ticket are available at:
bilety.willa-lentza.pl/
PROGRAMME
H e c t o r B e r l i o z (1803-1869), Théophile Gauthier (1811-1878)
Villanelle from the cycle Les nuits d’été (Summer Nights), Op.7 (1841) from the collection La comédie de la mort (The Comedy of Death)
G a b r i e l F a u r é (1845-1924), Paul Verlaine (1844-1896)
Cinq mélodies de Venise (Five Venetian Melodies), Op. 58:
Mandoline (Mandolin)
En sourdine (Calm)
Green
A Clymène (To Clymene)
C’est l’extase (This Is Ecstasy)
M a u r i c e R a v e l (1875-1937), Clément Marot (1496-1544)
D’Anne qui me jecta de la neige (On Anne Who Threw Snow at Me)
D’Anne jouant de l’épinette (How Anne Played the Spinet)
C l a u d e D e b u s s y (1862-1918)
Les sons et les parfums tournent dans l’air du soir (Sounds and Scents Mingle in the Evening Air), No. 4 from Preludes, Vol. 1
C l a u d e D e b u s s y (1862-1918), Charles Baudelaire (1821-1867)
La mort des Amants (The Death of Lovers)
H e n r i D u p a r c (1848-1933), Théophile Gauthier (1811-1878)
La comédie de la mort (The Comedy of Death)
Au pays où se fait la guerre (To the Land Where There Is War)
C l a u d e D e b u s s y (1862-1918)
Les collines d’Anacapri (The Hills of Anacapri), No. 5 from Preludes, Vol. 1
C l a u d e D e b u s s y (1862-1918), Pierre Louÿs (1870-1923)
Trois chansons de Bilitis (Three Songs of Bilitis) from the collection Les chansons de Bilitis (The Songs of Bilitis)
La flute de Pan (Pan Flute)
La chevelure (Hair)
Le tombeau des naïades (The Nayad’s Tomb)
H e n r i D u p a r c (1848-1933), Charles-Marie-René Leconte de Lisle (1818-1894)
Phidylé
R e y n a l d o H a h n (1874-1947), Charles-Marie-René Leconte de Lisle
Néere, Pholoé, and Phyllis from the cycle Les études Latines (Latin Études)
L i l i B o u l a n g e r (1893-1918), Francis Jammes (1868 – 1938)
Clairières dans le ciel (Clearings in the Sky)
French pianist Justine Eckhaut, the artistic director of the innovative Berlied festival in Berlin, has appeared, among others, at the Opéra National de Lyon, Berlin’s Staatsoper Unter den Linden and Konzerthaus, during the Bregenzer Festspielen and at Bern’s Konzert Theater. In 2021 the Swiss label Prospero recorded Eckhaut’s album with lyrical soprano Marie-Pierre Roy, titled Le long du quai, which comprises French-language songs composed to the poetry of the world’s first literary Nobel prize winner Sully Prudhomme. Eckhaut has taken part in such events as the Heidelberger Frühling Lied Academy, Schubert-Woche at Berlin’s Pierre Boulezsaal (artistic director – Thomas Hampson), and others. Her work is supported by Eric Schneider, Hartmut Höll, Helmut Deutsch, Sarah Tysman, and Axel Bauni. Moreover, she regularly collaborates with Austrian bass-baritone Philipp Mayer, Latvian mezzo-soprano Vizma Zvaigzne, and German soprano Amanda Becker.
Since April 2019, Eckhaut has been an accompanist at singing lessons at the Universität der Künste Berlin. She is also a pianist and répétiteur to the Kinderchor Staatsoper Berlin (cond. Vinzenz Weissenburger) and to the Berliner Mädchenchor (cond. Sabine Wüsthoff).
Concert host:
Prof. Katarzyna Dondalska
Highly recommended.
Ticket are available at:
bilety.willa-lentza.pl/
PROGRAMME
H e c t o r B e r l i o z (1803-1869), Théophile Gauthier (1811-1878)
Villanelle from the cycle Les nuits d’été (Summer Nights), Op.7 (1841) from the collection La comédie de la mort (The Comedy of Death)
G a b r i e l F a u r é (1845-1924), Paul Verlaine (1844-1896)
Cinq mélodies de Venise (Five Venetian Melodies), Op. 58:
Mandoline (Mandolin)
En sourdine (Calm)
Green
A Clymène (To Clymene)
C’est l’extase (This Is Ecstasy)
M a u r i c e R a v e l (1875-1937), Clément Marot (1496-1544)
D’Anne qui me jecta de la neige (On Anne Who Threw Snow at Me)
D’Anne jouant de l’épinette (How Anne Played the Spinet)
C l a u d e D e b u s s y (1862-1918)
Les sons et les parfums tournent dans l’air du soir (Sounds and Scents Mingle in the Evening Air), No. 4 from Preludes, Vol. 1
C l a u d e D e b u s s y (1862-1918), Charles Baudelaire (1821-1867)
La mort des Amants (The Death of Lovers)
H e n r i D u p a r c (1848-1933), Théophile Gauthier (1811-1878)
La comédie de la mort (The Comedy of Death)
Au pays où se fait la guerre (To the Land Where There Is War)
C l a u d e D e b u s s y (1862-1918)
Les collines d’Anacapri (The Hills of Anacapri), No. 5 from Preludes, Vol. 1
C l a u d e D e b u s s y (1862-1918), Pierre Louÿs (1870-1923)
Trois chansons de Bilitis (Three Songs of Bilitis) from the collection Les chansons de Bilitis (The Songs of Bilitis)
La flute de Pan (Pan Flute)
La chevelure (Hair)
Le tombeau des naïades (The Nayad’s Tomb)
H e n r i D u p a r c (1848-1933), Charles-Marie-René Leconte de Lisle (1818-1894)
Phidylé
R e y n a l d o H a h n (1874-1947), Charles-Marie-René Leconte de Lisle
Néere, Pholoé, and Phyllis from the cycle Les études Latines (Latin Études)
L i l i B o u l a n g e r (1893-1918), Francis Jammes (1868 – 1938)
Clairières dans le ciel (Clearings in the Sky)
Patronat medialny
Willa Francja. Impresje
